Press Release
Considering capitalism's infinite loop, the human instinct to act on self-preservation is personalized and catastrophized given conditions that favor access and ability. Wellness culture assumes the pinnacle of perfectionism, while disease implies personal failure and dysfunction; an opportunity to aspire for perfection once again. Regarding the impressionable hierarchy of humanized care, Yoo's installation references contemporary wellness culture and the history of eastern medicine, citing the Donqui Bogam, 동의보감, “Principles and Practice of Eastern Medicine", a Korean book compiled by Heo Jun in 1613, to develop a written origin of preventive medicine.
Severance forges a narrative of subjugation while examining the implication of self-security through medicine and the history of non-consensual biomedical experiments. Yoo presents blown glass sculptures held ajar by surgical tools bracing an interior containing a wax sculpture submerged in liquid detergent. The sculptures are scattered on the floor on various sized plinths, identifying the imperfect entry of abstract strategy and false dilemma into an equation that weighs the odds of survival with ability of access.
Fear of disease and of machines, often understood as partners in design and necessary to modern life, invoke the roots of perfectionism that appeal to the long and complex narrative of Westernization. To both fear and desire a potential solution to the body and its traumas complicates a personal surrender to systems that have benefited from the erasure of histories and bodies that have unknowingly and unwillingly built the dominant position of western medicine in the world.
Although Severance contains Yoo's personal life, it equally responds to a larger narrative surrounding the idea of security and trust in capitalist systems that are monetized and incentivized to strategize on access and survival.
All photos by Michael Popp